Dressage

What can modern dressage learn from the classical tradition?

Modern dressage has significant things to learn from the classical tradition that its mainstream development has inadequately emphasized or actively moved away from in the interest of producing competitive results on compressed timelines. The most important lesson is patience — the classical tradition's insistence that each phase of development must be genuinely completed before the next begins, that the horse's physical development must lead rather than being hurried by competitive schedules, reflects an understanding of equine gymnastic development that produces horses of extraordinary lightness and longevity. Classical horses trained without the timeline pressure of modern competitive careers often remain sound and competitive into their mid-twenties, while modern sport horses frequently retire much earlier due to the physical demands of early intensive training. The classical emphasis on lightness as the measure of quality — collection should make the horse lighter, not heavier, in the hand — provides a standard that modern sport dressage has sometimes lost in the pursuit of dramatic movement and visible power. A horse that performs Grand Prix with genuine lightness has been developed correctly; one that requires significant physical management from the rider to maintain its frame has been compressed rather than collected. The in-hand work of the classical tradition — developing gymnastic qualities through work on the ground alongside the horse — represents a toolbox of approaches for developing specific movements that modern sport training has largely abandoned but that produces genuine gymnastic benefits when correctly applied. And the classical tradition's absolute prohibition of force — its insistence that movements produced through pain or fear are not dressage regardless of their technical appearance — provides an ethical standard that modern competitive pressures sometimes erode and that the sport needs to maintain if it is to justify its claim to represent the art of equitation.

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