The term head set is one of the most commonly used and most frequently misunderstood concepts in western riding, and addressing it honestly requires distinguishing between what a correct head position actually is, what produces it, and why the head set that results from correct training is fundamentally different from the head set that results from mechanical positioning even when the two look similar from a distance. A correct head set is not something that is created independently of the rest of the horse's way of going — it is an expression of the horse's overall balance, collection, and self-carriage. A horse that is genuinely through his topline, that has engaged hindquarters carrying his weight correctly, that is relaxed in his jaw and poll, and that is in appropriate contact with the rider's hand will carry his head at an appropriate height and in an appropriate position as a natural consequence of those qualities rather than as a position that has been trained or forced separately from them. The head position is the visible symptom of the underlying training quality, not the goal itself. What produces the correct head set from the training side is the systematic development of the qualities that the head set expresses. Forward energy from genuine impulsion is the first requirement, because a horse that is not genuinely forward cannot flex at the poll and through the topline in the way that correct head carriage requires. A horse pushed behind the leg into a frame from the front will drop his head through restriction rather than through engagement, which looks like correct head carriage but lacks the through quality that makes the head position an expression of genuine collection. Lateral flexion work in the snaffle — teaching the horse to yield softly through his jaw and poll to rein pressure — develops the specific physical and mental softness that allows the horse to carry his head in the correct position in response to rein contact. A horse that braces through his jaw and poll against the rein cannot produce a correct head set because the bracing creates the rigidity that prevents the natural carry the position requires. Collection — the development of the horse's ability to carry more weight on his hindquarters — is the final component that elevates a horse's head carriage from an appropriate natural carry to the elevated light-in-the-front quality that advanced collection produces. As the hindquarters develop the strength to carry more weight, the forehand lightens naturally, the neck elevates from the base, and the horse's head naturally rises to a position that reflects the increased collection. This elevation is earned through months and years of correct gymnastic work rather than produced through upward rein pressure or equipment that positions the head without developing the hindquarter engagement that the elevated head position should reflect.
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Watch: What Is Involved in Creating a Good Head Set on a Horse

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Al Dunning: Speed Control and Horsemanship — What Is Involved in Creating a Good Head Set on a Horse
Al Dunning